The Santos as a Mirror to Ourselves

Santos Awakening

Historically, it is said, that a Santos was placed in the center of a household to stand in as priest, as a representation of one’s intention to remain under the care and guidance of an actual priest or minister, who was far away from one’s European home. This traditional Santos held a straightforward posture, and denoted a simple expression of reverence.

The contemporary Santos that I am creating in this body of work boost my spirit in a way that urges me and prompts me forward when I gaze on them. They are like bright spiritual reminders that I am the light of God, as I move about my day.

And each one has the potential to be an incredibly personal shrine or talisman for its owner. A Santos, as a talisman, has the capacity to hold not only our hopes, dreams and visions, but also reflects its owner back to itself like a living mirror, calling us to continuous growth and transformation, prodding us to be all we can be. 

I propose that today’s Santos stands as a personal altar of truth, reminding us that we are more than what we believe ourselves to be. The Santos, as a mirror, urges us to rise up to meet and act from within our higher selves. We are, each one of us, God’s Priests and Priestesses- vessels of hopes, dreams, prayers and yearnings to manifest our best selves for ourselves, for our families, and for God’s own pleasure and delight. Our Santos reflects this back to us individually, but shows us that by lifting ourselves, we lift us all.

Encaustic Wabi-Sabi Shrines

Linda Lenart McNulty-Encaustic Wabi-Sabi Shrines (800x225)

 

Since taking a break from the travelling/teaching circuit, I have had more time just to play in the studio, and have been experimenting with many encaustic techniques, yet my favorite by far has been Encaustic Wabi-Sabi, especially as it applies to my Encaustic Shrines (you remember Wearable Encaustic Shrines? Well, these aren’t wearable!

The Encaustic Wabi-Sabi Shrines I’ve been making are larger, and have swinging doors, and glass windows. I have more space to play and explore the interior and exterior spaces because of the larger size. To me, they are just like making tiny encaustic paintings, only I also get to include my love of sculpture and encaustic casting!

As I create each Shrine, I enjoy the rich colors of the pigmented metal leaf, especially because here in the Midwest, my eyes get a bit color-starved this time of year! As I build up the patina and layer intense color, it emits to me a warmth; a spark of life. It gets my juicing flowing, and feeds more creativity into me. One shrine begging the question of the next shrine; each one speaking in different notes of the same song…a bright crisp song, in a place far from here, perhaps Thailand…Mexico…or the Caribbean.

The shrines themselves are very special to me, since my sister, Cheri, who passed to the other side a year ago, loved shrines of all types. We collaborated on some Shrine workshops in the few years before she passed, but we had meant to do more – in fact, we were working on two Shrine books together. One, on casting techniques for encaustic, glass and resin, and another on the history of Santos, which we both had an affinity for, with our Catholic childhood, and our traumatic memories of large religious icons hovering over us, showing us the variety of ways in which a Catholic girl could choose her martyrdom!

In a way, I feel like Cheri is in the studio with me, collaborating with me now, guiding my hand, or at least hanging out and enjoying the process. Well, Cheri, we’re finally doing a few collaborative pieces!

And with that, I’m off to the studio! Shrine-making awaits!

If you would like to check out what I’ve made so far, here is a link to my Encaustic Shrine Gallery and to my Etsy shop where you can purchase your own little burst of Encaustic Wabi-Sabi: 

Linda Lenart McNulty-Encaustic Shrine-Promise of Abraham-Detail Interior (595x800)

Linda Lenart McNulty-Crying Saint Shrine II (721x800)

Have a blessed day and stay warm!

-Linda 🙂